"More than a year ago, since my performance in the concert hall of the Baltiyskiy branch of the Central Music School, I first heard this composition by Ludwig van Beethoven, one of my favorite composers. I studied this piano sonata, and fell incredibly in love with it: the lyrical, low-register, constantly looming rock music, the final part of the sonata played a key role in my further fascination with academic literature. From that moment on, my attitude towards classical works changed completely, and I decided that it was necessary for other people who had interacted with such musical masterpieces for a short time to show them the music that people of previous generations enjoyed in all its beauty. I am absolutely sure that there is an opportunity to let people hear the music so that they want to hear it more. I am sure that classical music can help people return to their former high state of mind, no matter what they are. They just weren't shown it in its entirety, so they refused to take it any further. Well, we'll have to fix it!"

Upon purchase, all the notes can be downloaded in PDF format.

"At the moment of my creative activity, Alexander Nikolaevich inspires respect for me and I am incredibly attracted to his characteristic harmonic harmonies, which, of course, were unique and not disguised by anyone after his relatively early death. Despite his extreme passion for the piano, he wrote fantastic orchestral works such as "Divine Poem", "Poem of Ecstasy", "Prometheus", etc. But I also think his contribution to piano literature was invaluable, because the beauty of grace and the lightness of melodic turns in homophonic and polyphonic storages at least did not leave me indifferent, so as not to translate his small composition of 5 small but wonderful preludes."

Upon purchase, all the notes can be downloaded in PDF format.

These two pieces by Astor Piazzolla, "Shark" and "Oblivion", were jointly arranged with cellist Anna Plotkina. The sheet music is downloaded as a score and a separate cello part.

Upon purchase, all the notes can be downloaded in PDF format.

The collection contains 4 arranged rhapsodies: 2, 5, 6 and 7. Sheet music in the form of a score (2 parts of marimbas).

Upon purchase, all the notes can be downloaded in PDF format.

The Grand Rhapsody for Xylophone and Piano in G Minor, Op. 3 was written in March 2026 and is dedicated to the outstanding pianist Eldar Jabbarov, with whom the composer performed this composition at a graduation concert at the branch of the Baltic Central Music School.

The introduction presents 2 diverse leitmemes - freedom and destiny, which, varying in further development, sound contrasting — the first is tedious and hopeless, and the second is gloating. These discord is interrupted by an expositional presentation of the main character's theme, his inner state, love, and after it, a sounding and emboldening intention to meet with the main character's dominant rival.

In the middle section, the confrontation begins between the goals of the hero, who does not think about the idea of renouncing his intentions, and the fatal theme, which, not appearing in front of him, suffocates the throat and obscures the consciousness of the human mind. The compositional form of this rhapsody was chosen by the author to emphasize human strength in the face of fate, which does not leave the main character until the climax of the entire work, and, continuing to sound in full fatal compatibility, the hero acquires the greatness of the deity, supernatural power, so that in the final confrontation a man full of courage wins over the enemy he created. offering rock a new meaning of its own volition.

After the introduction of the reprise and its subsequent presentation, in the code, a person encounters an imaginary but incredibly strong suffocation, but in a few moments he copes with it by removing the last rope placed on him. The main character regains the freedom he lost by endowing himself with a powerful ability — the ability to change what he wants to change; the ability to influence what he wants to influence. And the finale of this composition proves the truth of his reasoning — the power of the last affirming chords with the fluent speed of the melody, which mimics the efficient state of the protagonist's inner core, indicates that he really has it, and all his further intentions are being implemented the way he wants them to be implemented; they appear the way he wants them to be implemented. to make them appear.

Upon purchase, all the notes can be downloaded in PDF format.

6 nocturnes for marimba, Op. 2 were written in 2025-2026 and dedicated to Alina Ivanov. The melodies of these pieces are charming and to some extent mystical, opening up new combinations to listeners — classical canons with the timbre of the marimba. Despite the virtuosity of these miniatures, they nevertheless refer to the nocturnal tranquility: the composer wrote the first nocturne under the impression of deep evening dawn, and the next day, when the last notes appeared on paper, the work was already ready.; The author attributed nocturne No. 3 to a man whose greatness is commensurate with the deity, who is high above the stars in the twilight of the night. And the last creation brings the listener back from an unconscious but tender state — and the morning comes, where Aurora appears, by sounding like a charming theme.

Upon purchase, all sheet music can be downloaded in PDF format.